Race vs. Gender: Women’s
Struggle for Racial Equality
Matt Goerss
Memphis Historical Book Review
If
asked to name a female leader of the civil rights movement, most Americans
would likely think first of Rosa Parks, whose refusal to give up her seat to a
white man on a
Olson makes three principal assertions in the preface of Freedom’s Daughters that guide her discussion throughout the rest of the book. First, she argues that the involvement of women in the struggle for racial equality began well before the Civil War, and the efforts of both slave and free women contributed to the activism of women in the civil rights movement. Second, she asserts that at every turn, the women who fought for civil rights balanced their roles as activists with their roles as wives and mothers and developed complex relationships with the men involved in the movement. Finally, she argues that the complexities of gender and race created tensions between the black and white women who worked for civil rights, which at times impeded the progress of the movement as black women were forced to choose between siding with black men for racial equality and white women for gender equality (p. 15-16). Olson’s main arguments set up the rest of her book as a story not only of the racial tensions that defined the civil rights movement, but also the gender and class tensions that are often ignored when evaluating the successes and failures of the struggle for racial equality. In that sense, Olson places her work properly within the context of the 1950s and 1960s, during which issues of race could rarely be separated from issues of class and gender.
To
support her argument, Olson discusses in detail the stories of women who worked
largely in obscurity to fight for equal rights for African Americans. In the opening chapters of the book, Olson
discusses the complex relationship between slave women, white women, and white
men that existed in the South prior to the Civil War. To illustrate her point, she tells the story
of the grandmother of Pauli Murray, a prominent female activist in the civil
rights movement of the 1960s.
The
stories of the “unsung heroines” of the civil rights movement that Olson uses
to support her main argument are the strongest aspect of her work. Olson weaves her main arguments through each
of the women she introduces. For
example, she uses the stories of Laura McGhee and Ida Mae “Cat”
Olson also uses the experiences of women to illustrate the divisions between white and black women in the movement in a way that few historians consider in such a thorough manner. She explains in detail how tensions between black and white women complicated the efforts of civil rights activists during Mississippi Freedom Summer in 1964. Fannie Lou Hamer, one of the most prominent black female activists in the movement, distrusted many of the white female activists from the North due to their lack of understanding of Southern culture (p. 305-06). Casey Hayden, a white female activist involved with SNCC, found it difficult to interact with black activists who considered her to be only a secretary and not an integral part of the Freedom Summer effort. In the end, Olson notes that the distrust between black and white women, as well as a lack of understanding of each other’s roles and efforts, limited the success of the Freedom Summer activism, as the divisions between black and white activists began to overshadow the fight for equality itself (p. 312-13).
The greatest weakness in Freedom’s Daughters lies not in Olson’s argument and support of her thesis, but rather in the documentation of her sources. Olson uses a wide variety of primary and secondary sources to defend her argument, and she relies heavily on interviews and first-hand accounts of women’s activism in published works. She also draws from many prominent civil rights historians, such as Bayard Rustin and Howell Raines. While it is clear that Olson has conducted thorough research on the involvement of women in the civil rights movement, she fails to document her sources in a manner that is easily accessible to historians and readers. Olson cites her sources in an “Endnotes” section at the conclusion of the book. Instead of using subscripts in the text, however, she quotes a part of a sentence in the endnotes section and then details the source from which the quote or information came. This format makes it very difficult for the reader to match Olson’s evidence and sources together properly. Olson also offers very little additional information in her endnotes, which do not lead the reader to additional sources if they would like to study a particular person or topic further. While she likely used this citation format to appeal to a wider audience than just historians, Olson’s lack of thorough documentation of her sources limits the use of this book as a resource for information on women in the civil rights movement. It does not, however, lessen the impact of her argument or her contribution to the historiography of the civil rights and women’s rights movements.
Overall, Freedom’s Daughters serves as a valuable resource for historians and educators alike due to Olson’s detailed discussions of the women who worked behind the scenes to achieve equality for both African Americans and women. At the same time, Olson’s writing style and storytelling ability make the book accessible to the general public in a way that many historical works are not. Most powerful, though, is Olson’s thorough discussion of the forces of race and gender that often divided the women involved in the movement and impeded the progress of equal rights. Many historical and popular writings on the women involved in the civil rights movement have focused only on the movement’s successes and its most notable female figures. In Freedom’s Daughters, Olson brings the “unsung heroines” of the movement to life in a way that readers can identify with their struggles, yet she does not lose the themes of tension and competing causes that produced setbacks as well as victories. The end result of Olson’s work is a true appreciation for how far equal rights progressed in the century after the Civil War, yet also an understanding of how much progress was still to be achieved at the end of the tumultuous decade of the 1960s.
[1] Lynne Olson,
Freedom’s Daughters: The Unsung Heroines of the Civil Rights
Movement from 1830 to 1970 (